Words by Angelos Angelidis. The stage lights are off, the curtains are all pulled back revealing the metal structures that are holding everything together, a faint light from the door that performers use to go backstage at […]
“We can meet audiences that wouldn’t come to a random ticketed event at some art venue” – interview with Ingri Fiksdal, Fest en Fest
Words by Ines Carvalho. Diorama is a series of performances conceived to explore the natural and urban landscapes in various environments. The Norwegian choreographer Ingri Fiksdal turns the city space into an open stage for […]
We will always have Pina to rediscover our fierce human condition – Tanztheater Wuppertal ‘Bluebeard’ review
Words by Ines Carvalho. After 25 years without performing Pina Bausch’s 1977 masterpiece, her company returned to Sadler’s Wells to debut Bluebeard. While Listening to a Tape Recording of Béla Bartók’s Opera “Duke Bluebeard’s Castle”. […]
‘Cowpuncher My Ass’ encapsulates the freedom of dance – review
Words by Sophie Catherine Chinner. Performed Southbank Centre. Following the sell-out success of Holly Blakey’s ‘Cowpuncher’ in 2018, Blakey is back with an updated ‘punchy’ and eye-catching spectacle. The new version, ‘Cowpuncher My Ass’, as […]
What’s behind Batsheva Dance Company’s ‘Venezuela’? – interview & review
By Giordana Patumi. On Wednesday January 29th the Batsheva Dance Company, one of the most famous and acclaimed dance companies in the world, took the to stage of Teatro Valli in Reggio Emilia. It presented […]
Julie Cunningham ‘fire bird’ – review
Words by Katie Hagan. Nothing felt more appropriate than watching Julie Cunningham’s fire bird on Brexit-day night. Where clouds and grief hung in the air for many, others celebrated the coming of something that really […]
Wayne McGregor AUTOBIOGRAPHY a harmony of light and dark – review
Words by Angelos Angelidis. Dance as if your entire history flows through your body. Not in a burdensome way but with the fluidity of the ocean, large and rich with multiple layers and currents. It […]
