Words by Giordana Patumi. After nearly 200 shows and ten years on the road, 32 rue Vandenbranden by Peeping Tom…
An interview with Jonathan Burrows & Matteo Fargion
Words by Katie Hagan. It seems apt that choreographer Jonathan Burrows and composer Matteo Fargion have based their new work…
Janine Harrington’s it’ll-blow-your-mind Screensaver Series – review
Words by Adam Moore. Shoryuuuuu-ken!!! Screensaver Series is a beast of a performance. I feel like it’s 1996 and Dark…
Thoughts on Coppelia, The Royal Ballet
Words by Bengi-Sue Sirin. As much as I love contemporary dance, I hold a special place in my heart for…
Ali Curtis-Jones ‘Drumstick’ a living archive of Laban’s work – review
Words by Katie Hagan. Performed at Trinity Laban. A culmination of years’ research on Rudolf Laban, notation and choreology, Ali…
Dimitris Papaioannou’s The Great Tamer a wild hybrid – review
Words by Giordana Patumi. Last night at the BAM Howard Gilman Opera House, Dimitris Papaioannou’s The Great Tamer made its…
‘Joseph Toonga’s Born to Manifest empowers and awakens’ – review
Words by Katie Hagan. I read a quotation somewhere which said the danger with stereotypes is that they assume a…
