Hi, we’re dance art journal, an online dance writing collective which gives voice to artists working in the independent dance sector. Formed of seven writers, we create content that puts independent artists at the forefront; writing reviews, conducting interviews and using our social media channels to support and promote artists’ work. Mainstream publications, with an emphasis on traffic-driven content, rarely connect with the contemporary dance scene that independent dance artists spend their careers working in. At DAJ we are committed to documenting the whole story, to maximise the reach of independent artists’ work. Our current team is comprised of seven writers. Below you can find out a bit more about each of them.
Katie Hagan founded the dance art journal to give UK-based independent artists more coverage. As a dance writer, Katie has been published in Dancing Times and the Wonderful World of Dance and was the dance writer in residence for the Cohan Collective 2018. As a dance artist, she is a member of Siobhan Davies’ Young Artists Collective and has collaborated with visual artists to explore the embodiment of material objects. Outside of DAJ, Katie is a copywriter for an award-winning PR agency (not dance-related, but I do get to write about buildings which is kinda cool.)
Born in Portugal Inês Carvalho moved to London in Autumn 2018 to embrace a Master’s in Arts Management at Middlesex University. During the last year, she has been teaching contemporary dance at City Academy London. In 2020, she joined Dance Art Journal as dance writer, as well as she started working with the American dance artist Bianca Paige Smith in Public Relations. Nowadays, she is the Coordinator for Social Media and Content Creation at IRIE! dance theatre (London, UK). In March, Inês launched diagonal, a communications agency that rethinks contemporary dance as an accessible language for everyone.
Stella Rousham is a dancer and dance writer currently studying Human, Social and Political Sciences at university. Previously, she trained in contemporary and ballet on the CAT scheme at The Place and took part in Next Choreography at Siobhan Davies Dance in 2017. Stella is interested in the relation/translation between movement and text, as well as using dance as a form of socio-political commentary. She’s been a part of the DAJ team since it was founded in 2019, after being a reviewer for Resolution at The Place.
Angelos Angelidis enjoys dancing his way out of feelings of lostness, searching for softness in movement and listening. He works as a carer, runs (alongside with a friend) his own free digital magazine called “Sonder” and enjoys experimenting with video art when he is not baking or gardening. He was a member of the Next Choreography 2020 cohort at Siobhan Davies and keeps exploring dance independently and all things DIY. He’s been part of DAJ since the beginning of 2020 and is currently editing our magazine “Lines Curves Galaxies”.
Sophie Catherine Chinner trained as a dancer at Tring Park School for the Performing Arts and now pursues a career as a freelance artist. She came to dance writing in 2019, where she was selected to be a Reviewer for Resolutions Festival at The Place, London. Here, she met a handful of other emerging dance writers who then collectively founded the Dance Art Journal. Sophie has also produced work for Sadlers Wells as well as Mark Aspen reviews, and has written about many companies, choreographers and artists including: Rambert & Rambert2, Holly Blakey, Impermanence Dance, Tanztheater Wuppertal, Fabula Collective and Projection Dance Company.
Giordana Patumi is a dancer and art manager as well as a writer. Born in Italy, she completed a BA in Contemporary Dance at Trinity Laban Conservatoire of Music and Dance. Over the years, she developed an interest in participating in the “behind the scene” work involved in putting on a performance. As part of her Masters in Performing Arts Management she moved to New York and joined Alvin Ailey American Dance Theater and later on the Italian dance agency ATER. During the time of confinement of COVID-19 she joined the creation of B.Create platform led by artist Bianca Paige Smith and curated a cinema and music festival in her local town.
Adam Moore is an English-St. Lucian artist based in London. He uses movement, text, film, and sculptural, spatial forms to design environments for performance, exploring themes of multiculturalism, unity, and resilience, within the spacious trajectory of blackness. Current work includes his Long Play Liberation Series commissioned by Newham London for Newham’s Black History Month 2020; ongoing collaborative performance project A&E with founding member of Earwax, Esme Lewis-Gartside; writing for dance art journal; and developing his collaborative and socially engaged practice as part of CONSTELLATIONS with UP Projects and Flat Time House. Adam is a 2020 Jerwood Bursary Artist, currently engaged in an independent, artist-led, peer supported research project, Bright Dynasty.