Words by Ines Carvalho. After 25 years without performing Pina Bausch’s 1977 masterpiece, her company returned to Sadler’s Wells to…
‘Cowpuncher My Ass’ encapsulates the freedom of dance – review
Words by Sophie Catherine Chinner. Performed Southbank Centre. Following the sell-out success of Holly Blakey’s ‘Cowpuncher’ in 2018, Blakey is…
What’s behind Batsheva Dance Company’s ‘Venezuela’? – interview & review
By Giordana Patumi. On Wednesday January 29th the Batsheva Dance Company, one of the most famous and acclaimed dance companies…
Julie Cunningham ‘fire bird’ – review
Words by Katie Hagan. Nothing felt more appropriate than watching Julie Cunningham’s fire bird on Brexit-day night. Where clouds and…
Wayne McGregor AUTOBIOGRAPHY a harmony of light and dark – review
Words by Angelos Angelidis. Dance as if your entire history flows through your body. Not in a burdensome way but…
Navigating the routes to ‘being’: Julie Cunningham talks process & fire bird
Words by Katie Hagan. “It’s my own story, I guess, exploring the contradictions within myself. I feel like I am…
Peeping Tom ‘Child’ – review
By Inês Carvalho. The Belgian dance theatre company Peeping Tom returned to the Barbican as part of the London International…
