Words by Maxine Flasher-Düzgüneş A rainy Saturday at Rich Mix London’s split bill SMACK & Spektakel marked a witty journey back to the pre-teen era of Barbie Girl and even further to the neoclassical musings […]
Myzrie House | Review
Words by Madeline Shuron Projected onto the wall is a scene H.G. Wells’ would have been proud of: black-and-white clips of military personnel are interspersed with low-budget, Twilight Zone-esque aliens and robots. The two groups […]
Looking into the eyes of Marlene Monteiro Freitas | Review
Mal – Embriaguez Divina Words by Inês Carvalho. Eighteen months since the last time I went to see a live performance, I step into the large entrance of Teatro Municipal do Porto (Rivoli) for an […]
“Turning to nature” Zara Sands ‘Hibernation Dream’| Review
Words by Katie Hagan Although Zara Sands’ Hibernation Dream may open on a habitual woodland scene, there’s nothing predictable about this dance work. Instead, and more compellingly, Hibernation Dream casts the wood as a site […]
“We don’t need to improve diversity, we need room for the diversity to coexist” | interview with Simbarashe Norman Fulukia
Words by Inês Carvalho. Simbarashe Norman Fulukia (Simba) founded Vestland Danseteater with the aim of creating room for artists with a multicultural background. Born and raised in Zimbabwe, Simba arrived in Norway as an exchange […]
Charlotte Spencer Projects ‘Is this a Waste Land?’ | Review
Words by Maxine Flasher-Düzgüneş At moments, dance exists as a migratory sensation. Sometimes we need to come and go from ourselves as we move, our bodies like mini-wingspans and reminders of what it is to […]
“I want to feel this free all the time” | Dan Daw discusses kink and The Dan Daw Show
Words by Katie Hagan. Dan Daw and his team – also known as Dan Daw Creative Projects – first started researching the hotly-anticipated The Dan Daw Show in 2017. “Back then The Dan Daw Show was about my relationship […]
Reimagining the dying swan – Gender Bender Festival | Review
Words by Giordana Patumi. What remains today of a choreographic work considered a milestone in the history of Western dance at the beginning of the 20th century? In what forms and in what bodies has […]
‘Choreography makes sense of the world’ interview with Richard Chappell dance
Words by Katie Hagan. Since 2013 Richard Chappell Dance (RCD) has been making work that brings people together. Ahead of the premiere of Infinite Ways Home at Exeter Northcott on 24-25 September 2021, dance art […]
DAJ accepted onto the Roundhouse Accelerator Programme 2021
Words by Katie Hagan. We’re delighted to announce that dance art journal has been accepted onto Roundhouse’s Accelerator Programme 2021. The Self Made Accelerator programme is a three month course specifically designed for businesses in […]
dance art journal 