Words by Josephine Leask. Directed and produced by the 2026 MA Screendance cohort, this year’s Frame Rush brought together experimental films by the previous year’s graduates and selected work by established international dance filmmakers. The […]
Words by Josephine Leask. Directed and produced by the 2026 MA Screendance cohort, this year’s Frame Rush brought together experimental films by the previous year’s graduates and selected work by established international dance filmmakers. The […]
Words by Sarah Lapinsky. A blank projector screen. A click of a slide projector presents two chairs facing the ohter on the screen as lights fade up to reveal two chairs on stage. Slide click […]
Words by Maxime Swift. Like all good fairytales, Ode to The Dark is full of magic. Sculptures are brought to life, bodies are reanimated, and anything could be happening in the dark. This one-off performance […]
Words by Luella Rebbeck. Somehow, after spending an afternoon moving between performances in Queen Elizabeth Olympic Park, that felt true. The Greenwich+Docklands International Festival (GDIF) 2026 is dance in its honest, raw, fun-loving and sun-kissed […]
Words by Maxime Swift. Before the opening of this year’s Edinburgh Art Festival, I was reading about The Mechanicos, the dance of the sponge divers. First devised by Theophilos Klonaris, it represented the daily toil […]
Words by Luella Rebbeck. From the beginning, At Your Disposal at Chisenhale Dance Space felt less like entering a theatre and more like arriving somewhere already occupied by friends and family. The performers showing new […]
Words by Maxine Flasher-Duzgunes. The Lake, a dance film originally choreographed by Vinnie Jones for Oceánica Ballet’s show EVOLUTION at Bay Area Ballet Conservatory in 2023 and then restaged in 2025, reimagines a beloved duet […]
Words by Karly Benson. Last month, Rogue Wave made their international debut at the Union Theatre, performing Bouquet and (my battery is low) and it is getting dark. The New York-based company is led by […]
Words by Francesca Matthys. What I love about London is that on every corner there is an opportunity to experience diverse artists sharing their work. That on every corner there are important stories being told. […]
Words by Eoin Fenton. In watching the iconic recording of Yvonne Rainer performing her landmark work Trio A, screened in the dark depths of the basement at the Tate Modern, you’d be forgiven for finding […]