Words by Katie Hagan. I’ve been closely following the work of German dance artist and choreographer Greta Gauhe for just over a year now. I interviewed the UK-based dancer last year and around the same […]

Words by Angel Dust. The stage lights are off, the curtains are all pulled back revealing the metal structures that are    holding everything together, a faint light from the door that performers use to go backstage at […]

Words by Katie Hagan. We should all be keeping a close eye on the work that is emerging from the group of dance artists at London Contemporary Dance School. Creating work that is cerebral, multimedia-ed, […]

Words by Katie Hagan. A billowing, sartorially-hung cloth of gold suspended from upstage left is draped across the Blue Elephant Theatre‘s performance space, like a figure nonchalantly lying on a chaise longue, undisturbed. Such a […]

Words by Giordana Patumi. After nearly 200 shows and ten years on the road, 32 rue Vandenbranden by Peeping Tom premiered in the US, at BAM New York. Originally opened on November 2009 in Koninklijke […]

Words by Adam Moore. Shoryuuuuu-ken!!! The year is 1996 and Dark Ryu is gearing up to obliterate me in an unstoppable, mathematical equation that only the PlayStation really understands. All I can do is watch the […]

Words by Katie Hagan. Performed at Trinity Laban. A culmination of years’ research on Rudolf Laban, notation and choreology, Ali Curtis-Jones’ Drumstick performed by her company of lithe dancers, Summit Dance Theatre, is a technical […]

Words by Giordana Patumi. Last night at the BAM Howard Gilman Opera House, Dimitris Papaioannou’s The Great Tamer made its New York debut. The piece, produced by the Onassis Cultural Centre of Athens, premiered in […]

Words by Katie Hagan. I read a quotation somewhere which said the danger with stereotypes is that they assume a whole story, when in truth they are insubstantial and ridden with bias.  Just Us Dance […]