A duet at the end of Them/Us stops me in my tracks. This evening of two separate works — demonstrating opposing modes of creation — is variable. But, in these final few minutes, I fall in […]
The Idiot review – a real reworking of a Russian classic
Words by Katie Hagan If you brought Dostoevsky back into a room to ask if his novel, The Idiot, could be considered an ‘embodied text’, I wonder what his answer would be. Renowned Japanese choreographer […]