Words by Sarah Lapinsky. With the sound of coffee grinding and smoothies blending in the background, Monica Tolia (they/she) and I discussed their interdisciplinary practice, creative process and new work, a snake in the house […]
Words by Sarah Lapinsky. With the sound of coffee grinding and smoothies blending in the background, Monica Tolia (they/she) and I discussed their interdisciplinary practice, creative process and new work, a snake in the house […]
Words by Katie Hagan. Header image of Ashling McCann. This week UK-based dance company Surface Area Dance Theatre will present a new dance performance centred upon an experiential understanding and knowledge of British Sign Language, […]
Words by Inês Carvalho. If we imagine a future without social oppression, racism, homophobia, or climate crisis, what would it look like? These and other questions inspired Feminist Futures, a cross-collaborative project supported by Perform […]
Words by Stella Rousham “If I go to see performances or performance art, I miss moving, dancing or being somehow bodily shaked.” inklingroom is an art platform, club night and record label created in […]
Words by Hannah Draper. Young children form the landscape and set for We Touch, We Play, We Dance, a piece made for early years audiences by disabled-led dance company, Second Hand Dance which I saw […]
Words by Maxine Flasher-Duzgunes. “Here we don’t say competition, we compete together,” says dancer Adriana Pino about the upcoming Connectingvibes performance tour, organised by the BA (Hons) Diverse Dance Styles course at IRIE! dance theatre, […]
Words by Bengi-Sue Sirin. It is a bright, crisp Saturday morning when I go to visit London Children’s Ballet. Lovely weather for an exciting day – exactly the kind of morning that would thrill Anne […]
Words by Maxine Flasher-Duzgunes. A No-How Generator is a habitat for sustaining generative states of not-knowing ~ Matthias Sperling Under the surface of our feet, we predict earthquakes…we ache from marathons…we remember the rain. Inside […]
The body has tremendous power in translating reality – no matter how complex it might be. In Angola, translating reality through movement is a powerful act of activism – says Ana Clara Guerra Marques, a pioneer in contemporary dance in this country. We chatted about her journey with CDC Angola, and the role of dance in analysing, questioning and – most importantly – demanding social change.
Words by Paula Riofrio. Scenic art’s dramaturgy brings words and ideas to the flesh and bone, takes the thoughts into a practice that vests through enactment. It webs relationships as a rhizome among concepts, objects, […]