Words by Francesca Matthys. GOING BERSERK was performed at APT Gallery on the 29th November as part of Fest en Fest 2022. There is something striking about a black body indulging freely in rhythm, in movement, […]
Tag: contemporary dance
“Emilyn Claid Untitled is magnetic” | review
Words by Josephine Leask. Performed at The Place. Emilyn Claid brings her magnetic presence and seductive interplay of identities back to the stage after 22 years with her solo Untitled. Reflective, humorous and unbelievably moving, she […]
In Her Skin by Kosta Karakashyan | Review
In Her Skin primes the digital stage for a fascinating performance of fashion, character and embodiment.
Jules Cunningham talks choreography, power dynamics and m/y-kovsky | fire bird
Words by Stella Rousham In preparation for my interview with dance artist and choreographer Jules Cunningham last Saturday, I decided to listen to Stravinsky’s The Firebird and Tchaikovsky’s Piano Concerto, No.1 – two canonical classical […]
NOISE by Nua Dance at The Place | Review
Words by Bengi-Sue Sirin I am deaf. And I love dance. So I must say, I was very, very excited to see Nua Dance’s NOISE at The Place featuring the brilliant Deaf dancer Chris Fonseca, […]
EQ DANCE CO.’s Sanctuary at Longfield Hall | Review & Interview with Artistic Director David West
Words by Jodie Nunn. Paved with poeticism, poignancy, and playfulness, EQ DANCE CO. offers a conversant take on the quest for physical, mental, and spiritual Sanctuary, emblazoned with a profound nuance that glistens like golden […]
“Experience, aliveness tell us that time isn’t linear” | Interview with SERAFINE1369
Words by Stella Rousham. Time is an essential organising principle. It determines when we sleep, wake, work and play. Whilst the mechanisms of time are often taken for granted, SERAFINE1369’s (Jamila-Johnson Small) latest multi-part installation, […]
Mapping Gender by Anders Duckworth | review
Words by Francesca Matthys. Mapping Gender was performed at The Place in September 2022. Mapping Gender by Anders Duckworth in collaboration with sound artist Kat Austen–is a beautifully tailored piece of performance art/dance theatre that […]
Maud le Pladec ‘Twenty-seven perspectives’ | review
Words by Maria Elena Ricci. Maud le Pladec’s Twenty-seven perspectives, presented the 1st and 2nd of October in Rome’s Auditorium Parco della Musica, is certainly not definable in a few, concise words. With dance works […]
Joseph Toonga on Born to Exist | interview
The final piece in Joseph Toonga’s acclaimed trilogy comes to The Place next week 25-26 October. We reviewed the first piece Born to Manifest a couple of years ago, and the second work Born To […]