Words by Francesca Matthys. Mapping Gender was performed at The Place in September 2022. Mapping Gender by Anders Duckworth in collaboration with sound artist Kat Austen–is a beautifully tailored piece of performance art/dance theatre that […]
Words by Francesca Matthys. Mapping Gender was performed at The Place in September 2022. Mapping Gender by Anders Duckworth in collaboration with sound artist Kat Austen–is a beautifully tailored piece of performance art/dance theatre that […]
Words by Maria Elena Ricci. Maud le Pladec’s Twenty-seven perspectives, presented the 1st and 2nd of October in Rome’s Auditorium Parco della Musica, is certainly not definable in a few, concise words. With dance works […]
Words by Maxine Flasher-Duzgunes SAN FRANCISCO, CA — Things began before beginning…dancers danced behind oblivious raised programs…house lights buzzed. Was the dance in the adjusting curtains and the diagonal warm-up jogs? Was the dance in […]
Words by Inês Carvalho. Helsinki, the last evening of summer. The chilly breeze of late afternoon paces up my steps.The GPS tracks an old building far from the city centre. I have no idea where […]
Words by Stella Rousham. I, along with the rest of the audience, enter to pulsating, whirring music. As I wander over to my seat, my eyes are immediately drawn to the three dancers who are […]
Words by Hannah Draper. Both Glasgow based artists, Taylor Han and Simone Seales’ show With Catastrophic Consequences is performance which invites the audience into a space of collective warmth, using improvisation and storytelling, or story […]
Words by Hannah Draper. Performed at Edinburgh Fringe as part of Horizon Showcase. Monday 22nd August 4.19 pm, Portobello Promenade I walk along the promenade to find Sonia Hughes. A small crowd is gathered in […]
Words by Stella Rousham. Three bodies lie dormant and heavy on stage. A thick smoke engulfing them, concealing their faces and identities. The fourth body weaves their way through the figures, their upper body hunched […]
Words by Hannah Draper. Industrial techno is blaring through the curtain that separates the performance area from the bar when the performance starts. The audience mills in, standing around Dykegeist choreographer Eve Stainton who is […]
Words by Katherine Adams. Mesh, which premiered in Berlin at the Tanz im August festival, is a work modeled after forms of organic generation. The piece draws on principles one might find in contact improvisation […]