Words by Stella Rousham. I, along with the rest of the audience, enter to pulsating, whirring music. As I wander over to my seat, my eyes are immediately drawn to the three dancers who are […]
Words by Stella Rousham. I, along with the rest of the audience, enter to pulsating, whirring music. As I wander over to my seat, my eyes are immediately drawn to the three dancers who are […]
Words by Hannah Draper. Both Glasgow based artists, Taylor Han and Simone Seales’ show With Catastrophic Consequences is performance which invites the audience into a space of collective warmth, using improvisation and storytelling, or story […]
Words by Inês Carvalho. Dance reflects contexts. When I first saw the piece 1°C in April this year, I got curious to discover more about how contemporary dance is emerging in Korea. So I couldn’t […]
Words by Hannah Draper. Performed at Edinburgh Fringe as part of Horizon Showcase. Monday 22nd August 4.19 pm, Portobello Promenade I walk along the promenade to find Sonia Hughes. A small crowd is gathered in […]
Words by Stella Rousham. Three bodies lie dormant and heavy on stage. A thick smoke engulfing them, concealing their faces and identities. The fourth body weaves their way through the figures, their upper body hunched […]
Words by Hannah Draper. Industrial techno is blaring through the curtain that separates the performance area from the bar when the performance starts. The audience mills in, standing around Dykegeist choreographer Eve Stainton who is […]
Words by Katherine Adams. Mesh, which premiered in Berlin at the Tanz im August festival, is a work modeled after forms of organic generation. The piece draws on principles one might find in contact improvisation […]
Words by Stella Rousham. Trigger Warnings And has a content warning related to abortion, miscarriage, strong language and nudity. As I stepped out of Edinburgh train station several days ago, after a gruelling 6-hour journey […]
Words by Katie Hagan. Australian born, Scotland-based dance artist Penny Chivas started working on her arresting work Burnt Out in January 2020, at a time when the Black Summer bushfires were tearing through Australia, destroying […]
Words by Sarah Lapinsky. With the sound of coffee grinding and smoothies blending in the background, Monica Tolia (they/she) and I discussed their interdisciplinary practice, creative process and new work, a snake in the house […]