Words by Maria Elena Ricci. Maud le Pladec’s Twenty-seven perspectives, presented the 1st and 2nd of October in Rome’s Auditorium Parco della Musica, is certainly not definable in a few, concise words. With dance works […]
Category: reviews
kid subjunctive by Funsch Dance | Review
Words by Maxine Flasher-Duzgunes SAN FRANCISCO, CA — Things began before beginning…dancers danced behind oblivious raised programs…house lights buzzed. Was the dance in the adjusting curtains and the diagonal warm-up jogs? Was the dance in […]
Empower audiences through immersive performance: Hysteria by 00100ENSEMBLE | Review
Words by Inês Carvalho. Helsinki, the last evening of summer. The chilly breeze of late afternoon paces up my steps.The GPS tracks an old building far from the city centre. I have no idea where […]
MeToo and challenging Asian beauty standards in Sung Im Her’s Nutcrusher | review
Words by Stella Rousham. I, along with the rest of the audience, enter to pulsating, whirring music. As I wander over to my seat, my eyes are immediately drawn to the three dancers who are […]
Taylor Han and Simone Seales on ‘With Catastrophic Consequences’ | interview
Words by Hannah Draper. Both Glasgow based artists, Taylor Han and Simone Seales’ show With Catastrophic Consequences is performance which invites the audience into a space of collective warmth, using improvisation and storytelling, or story […]
Sonia Hughes ‘I am from Reykjavik’ | review
Words by Hannah Draper. Performed at Edinburgh Fringe as part of Horizon Showcase. Monday 22nd August 4.19 pm, Portobello Promenade I walk along the promenade to find Sonia Hughes. A small crowd is gathered in […]
Marikiscrycrycry ‘He’s Dead’ is mesmerising and visceral | review
Words by Stella Rousham. Three bodies lie dormant and heavy on stage. A thick smoke engulfing them, concealing their faces and identities. The fourth body weaves their way through the figures, their upper body hunched […]
Eve Stainton Dykegeist at Horizon Showcase | review
Words by Hannah Draper. Industrial techno is blaring through the curtain that separates the performance area from the bar when the performance starts. The audience mills in, standing around Dykegeist choreographer Eve Stainton who is […]
Mesh by Maija Hirvanen: movement as life | review
Words by Katherine Adams. Mesh, which premiered in Berlin at the Tanz im August festival, is a work modeled after forms of organic generation. The piece draws on principles one might find in contact improvisation […]
And by Charlotte Mclean: a courageous dance poem | review
Words by Stella Rousham. Trigger Warnings And has a content warning related to abortion, miscarriage, strong language and nudity. As I stepped out of Edinburgh train station several days ago, after a gruelling 6-hour journey […]